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Environmental aesthetics is one of the major new areas of aesthetics to have emerged in the last part of the twentieth century. It focuses on philosophical issues concerning appreciation of the world at large as it is constituted not simply by particular objects but also by environments themselves. In this way environmental aesthetics goes beyond the appreciation of art to the aesthetic.. Aesthetics, as the theory of the arts, would seem to have little to contribute to any discussion of environment. To the unreflective eye, in fact, no two interests must appear less related. The one, aesthetics, is an esoteric discipline, the philosophically minded inquiry into the nature and meaning of the arts. And the arts, whatever else they may be, stand in the minds of most people as the.

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Abstract This chapter discusses key issues and questions about aesthetic experience and valuing of natural objects, processes, and phenomena. It begins by exploring the character of environmental, multisensory aesthetic appreciation and then examines the central debate between “scientific cognitivism” and “noncognitivism” in contemporary environmental aesthetics. In assessing this.. Environmental aesthetics can thus be defined broadly as the interaction between an individual and the environment, in relation to beauty. The human-environment interaction includes both the physical environment and the objects that occupy it, as well as the psychological and physiological processes of human perception and cognition.